FREE four day film workshop in Whangarei – write a script, make a film

This July school holidays, Script to Screen (in partnership with Northland Youth Theatre) are returning to Whangārei to run our 2021 Northland Film Workshop. Once again, this free four-day film workshop aims to help Northland based rangatahi develop skills in crafting a story idea, writing a script, and acting for the screen. I’m wondering if you could spread the word to anyone you know aged between 15 – 23 year olds that might be keen to come along this year?

No experience or prior knowledge of filmmaking is necessary. This year, filmmaker Hamish Bennett (Bellbird, The Dump, Ross and Beth) and actor Laurel Devenie (Shortland Street) will teach participants about finding a story they want to tell, crafting a narrative that is compelling on screen and acting for the screen.

Spaces are limited so those interested should register here:

Tuesday 13 July – Fri 16 July

9am – 2:30pm each day

Northland Youth Theatre, 86 Bank St, Whangarei 0110

Morning Tea, Lunch and Afternoon Tea provided. However, if you have special dietary requirements (gluten free, dairy free, keto, paleo, etc) please bring food with you.

You can find more info about the workshop on our websiteEventBrite,  Facebook Page / Event or on Instagram.

Would you like to help Speculative Fiction Writers of NZ? They could use you…

Want to meet other authors and network beyond your local groups?Keen to make use of all those awesome non-writing skills you have?Want to bring your own interests and enthusiasm to your favourite speculative fiction group?
Then join the SpecFicNZ Core!

Join the Core and boldly go where you’ve never gone before!There’s no need for previous experience—just a willingness to pitch in and learn as you go.Projects for which we would love extra helping hands:Revamping the SpecFicNZ website Engaging online as part of our social media presenceOrganising workshops, retreats, and other eventsPursuing grant moneyOrganising programmes and projects such as our member reviews, catalogue, and anthologiesComing up with new and fabulous ideas for initiatives for our membersThe Core meets monthly via Zoom. Email to register your interest:

Ngaio Marsh Awards for Best NZ Crime Writing – Whangarei Libraries Event.

On Thursday June 10, four authors whose books have been part of the Ngaio Marsh Awards for Best NZ Crime writing convened at Whangarei Central Library, greatly entertaining a packed house of crime fiction fans.

Photos here:

Whangārei Mystery in the Library 2021 series
Join five northern authors for an evening of criminally good conversation.

The Ngaio Marsh Awards, in association with Whangārei District Libraries, invites booklovers to a thrilling evening of criminally good discussion with five talented northern storytellers.

Whangārei poet, novelist, and award-winning short story writer Michael Botur will chair a panel featuring fellow 2021 Ngaio Marsh Awards entrant Caroline Lawson, Kerikeri thriller writer Catherine Lea and past Ngaios finalists Andrea Jacka and Stephen Johnson.

The authors will discuss where their inspiration comes from, how they bring fascinating characters to life on the page, craft page-turning storylines and infuse their tales with real-life issues as well as touches of crime and mystery.

Registration Essential
Spaces are strictly limited.
Please register by email to

The panel

Michael Botur is a poet and author whose short stories have won awards in New Zealand and the United States. Takahe magazine described him as “a writer considered one of the most original story writers of his generation in New Zealand”. He’s published several acclaimed short story collections. Crimechurch is his latest novel.

Andrea Jacka – Although an avid reader from the early days of Peter and Jane, it wasn’t until Andrea reached her early forties that she began to write. This soon became a passion, then an obsession and resulted in her first novel One for Another, a thriller set in 1880s Idaho which became a finalist for the Ngaio Marsh Award for Best First Novel.

Stephen Johnson is an Australian-born television news and sports producer who has swapped the TV studio for a writer’s garret overlooking the Tamaki River. His debut novel Tugga’s Mob, a finalist for the 2020 Ngaio Marsh Awards, was inspired by three seasons working as a tour guide on double-decker buses around Europe in the 1980s.

Caroline Lawson is a Northland author who grew up in Fiji. Memories of a Community Cop is ‘more than a biography’, the story of local policeman Quin Turton’s life on and off the job after moving to Northland as a young man. “A delightfully written evocation of a life well lived … a worthy addition to anyone’s library.”

Catherine Lea is a Kerikeri author who worked in the technology industry before becoming a thriller writer. Her six novels range from comic police procedurals to high-octane thrillers entwined with US politics. Her book Child of the State was shortlisted for the Silver Falchion Award for Best Thriller by the Killer Nashville festival in the United States.”

Concerned about housing? Submit a poem to Landing Press

We want poems from people who maybe have never written before but have a small story to tell about housing.

Concerned about housing? Submit a poem to Landing Press

Landing Press, Community Housing Aotearoa, Emerge Aotearoa and others are sharing the call to contribute to a poetry project. 

The poems will be published by Landing Press later this year and will include all aspects of housing – ownership, renting, homelessness, memories of houses, houses lived-in in other countries, political, funny nostalgic, painful.

Landing Press’s goal is to bring together experienced and first-time writers in one book. 

Here is the call for submissions from Landing Press:

Submission guidelines

For those interested in taking up the challenge, submissions of up to three poems (each a maximum of 40 lines) should be emailed to Landing Press by 18 June 2021 for experienced writers, and 31 July 2021 for those needing help to get started. Each poem should be on a separate page along with name and contact details (email address, postal address and phone number).

Poems and requests for help should be emailed to

Why poems?

Poems can be very simple. They can tell a small story, offer an insight or a new perspective, shift people’s heads, and they can bring together experienced writers and first-time writers in one book.

Who is Landing Press?

Landing Press is a small Wellington not-for-profit publisher. We publish poetry that many people can enjoy, and we want to give a voice to people who are not often heard.”


“In this new project we want to work with community housing providers and many others across the housing sector.

What do we want for this collection of poems about housing?

We want poems about every aspect of housing – owning, renting, having no house, memories of houses, houses lived in in other countries, political, funny, nostalgic, painful. We don’t just want poems by people who have written a lot. We want poems from people who maybe have never written before but have a small story to tell about housing.

Book Launch with Northland author Barbara S Carr

41 Rathbone Street, Whangarei

Saturday 1 May 2021 3:00pm – 5:00pm

You are warmly invited to the launch of Barbara S Carr’s Anthology of Short Stories.

Join Barbara to launch Shifting the Mind’s Eye – a captivating collection of short stories spanning the 1950s to the present in Aotearoa New Zealand. Perspectives shift and change as themes of relationships, personal values, the impacts of war and death are explored. Barbara Carr’s story-telling pulls us into her characters’ private worlds with depth, insight and humour. Time slices are offered within a truly New Zealand context.

Barbara Carr has lived in Te Tai Tokerau (Northland New Zealand) for 20 years. She has loved writing since her childhood and as an adult has won awards for her short stories. With a Bachelor of Arts in Anthropology and History, Barbara is interested in how the past echoes through time. She is a humanist and an environmentalist.

Shifting the Mind’s Eye will be available to purchase for $20. Barbara’s recent historical novel From the Bottom of the Well will also be available for $30. Please bring cash.

In addition, Patricia Brickell – whose painting has been used for the book cover – will exhibit some of her work.

February writer news from Te Tai Tokerau Northland.

Northland creative writing news this month:

  • Did you know we have a children’s book publisher in Bay of Islands? Giltedge Publishing relocated to Kerikeri from Wellington a couple of years ago. Check out their fascinating publications for the likes of National Geographic. ( )

Don’t forget, the closing date for submissions to Pavlova Press’s pavlova anthology has been extended until 31 March 2021. All details are here:

Best of Three – new short story – by Michael Botur

‘First you tell me I’m the leastest favourite, then you call me a cheater. I’ve had a gutsful. I’m walking.’

Best of Three

New short story

Michael Botur


We locate the room with lights hanging low over green rectangliar ponds. The tables.

Time to kick Pop’s arse at pool.

‘Don’t need one of those cheap ones,’ Pop grumbles as I select a cue from the wall for him. First criticism of the night. There’ll be a hundred other disses, slights and slams at the The Papanui Club tonight. Cheers, Pop.  

He lifts his black plastic cue case onto our table, opens the lid. Damn cue looks nearly new. ‘Maple,’ he goes, ‘Genuine maple, unlike that fake rubbish you’re holding. Ere: forty bucks. Get us a couple pints. Make yourself useful. Keep the change, I know you need it.’

I put down my crappy cue, take a couple steps across the carpet and pause. ‘I can pay for my own beer, Pop, Jesus.’

‘Thought you had debt collectors on your case. Don’t you have to repay WINZ?’

I throw up my hands. Some things in life are true, but you don’t say ‘em to a man’s face. I stomp over to the bar, slap two of the old man’s stupid insulting twenties on the bartop, bring back the beers. Pop says ‘Much obliged,’ ’cause he thinks it’s clever to go through life never saying Thanks. He shoots a cracker of a shot, smiles with half of his face and does a cocky wink as a solid ball and a stripe each go down a pocket.

Pop rests with one hand in the pocket of his wool overcoat, as in Hurry up, Junior. Me and Pop usually do our weekly catch-up over at the Hornby Club if I’m not locked up or in detox or whatever, cept the Hornby Club’s shut for renos this month. Everyone there is used to how fussy Pop is now that he’s retired, with his combed platinum hairpiece and scarf and shiny brown shoes and how he’s the only man that drinks Guinness. Today, over-dressed and over-anal for this place, he’s getting a few queer looks from the only other people in here at 2pm on a weekday, these old hunters with epic bellies.

Pop places his gloved fingers on the felt, lining up the yellow and potting it. He then sinks his maroon ball, his red, his blue, his orange.

‘Didn’t realise you were participating, sorry,’ he goes, blowing the tip of his cue like it’s a gun barrel. ‘Table’s all yours.’

I’ve had a toot on the ole pipe this morning so I’m a bit jittery and I’ve chosen a cue that’s bent, so I’m lucky to knock my orange ball down, though it jars over the hole and my cue ball rolls to a place where I don’t want it to be, stuck behind Pop’s black.

Least I get another shot.

‘I’ll have to use the spider to get over,’ I tell the old bastard.

I manage to make my cue ball pop over the black and I’ve nudged one of my balls successfully into a side pocket and I’m already putting the spider rest back under the table when Pop manages to get hold of some words.

‘FOUL FOR YOU, LAD. There has to be consequences, when you stuff up.’

Pop’s barging me out of where I’m standing. I let him have my spot. Cloud of cologne.

He takes a shot.

It’s a miss.

‘There’s rules against putting a man off when he’s trying to take his shot, boy. You’ll pay for this.’

‘Try cheering up once in your life, Pop, you ain’t got many years left. I done this empathy course in jail, right, and you know what they teached us? They teached us there’s no point being unhappy. Waste of your life, yo. It’s half the reason Mum killed herself.’

I’ve let the Guinness and crack get the better of me. Shouldn’t’ve mentioned Mum.

Unhappy?! I’m trouncing you! Do I seem unhappy?’ Pop necks his beer, presses his purple nose into my face, takes a fifty from his leather wallet and forces it into my fingers. ‘Listen pal, my daughter – your bleeding sister – works for the Red flipping Crescent, she speaks fluent Arabic and she talks to the United Nations High Commissioner on a daily basis. That make a father unhappy? Eh? Meanwhile here’s Timmo, your younger brother running Shoefinder Dot Com in London! If having two successful children is unhappy, then call me unhappy.’

Pop turns his pink face away, bracing himself on the table, staring down at his balls. I can see his back and shoulders billowing. His breathing takes a while to return to normal.

After staring at the fifty dollar note for ages, wishing I had the guts to drop it, I go and fetch the beers.

I guzzle half my Guinness, lean over the table real casual then sink my blue. The red and yellow go in next, though I wasn’t really aiming for them. I miss and it’s Pop’s turn so I go have another sip of my beer, then another couple sips, then reply to some texts and by the time I look up, Pop’s caught up and he’s onto the black.

He misses, smacking one of my balls accidentally. He stands there, not blinking, wondering how he fucked up.

‘Sall good, Pop, take the shot again.’

‘Decent people don’t bend the rules.’

‘Who even cares? No one knows but us.’

He forces me to shoot. I send the white ball rolling and it settles gently behind the black. Pops smirks.

Second game, I hit the red hard enough to knock her off the table.

I’m immune to the snorts of the fat-bellied old punters in camo gear as I reach under their legs to fetch the ball, my face inches from their crotches. I’m three beers deep and my head bobs like a dinghy.  

‘You still have a shot,’ Pop goes, examining his gold watch. ‘Time for a few more flukes. Set em up for you, I did. Enjoy the fruits of my labour.’

I bend over the table, line up a great shot, but I can feel Pop’s eyes drilling into my back. Hard to concentrate. Pop was principal of Shirley Boys High School before retirement dumped him on his arse. He personally coached a few sports teams, yelling criticisms at the kids before he’d come home and chew the shit out of my brother, my big sis, and especially me.

Mum copped it too, hard out.

I take a deep breath, close my eyes, whack the ball with the stick. When I open them, the purple isn’t on the table.

‘Typical,’ Pop snorts, studying some harness racing on TV. ‘Let me know when your luck runs out.’

I sink another, actually, and another, and we get down to the black, the two of us chasing it around the table. I guess the effect of the beers and smoke cancels out the wonky cue which is why I’m so accurate. Finally I get the black down after three attempts.

‘Best of three?’


‘Like, d’you wanna play a third game to decide who’s the real winner? We only just got here. May as well.’

Pop checks his watch, tilting it so it can be “accidentally” noticed by the cackling old fat boys in their hunting boots.

‘I suppose I can make time.’


Pop breaks and manages to sink one of each colour. He shakes his head like he’s disgusted. He plays the game mostly sinking two in a row, which is real decent, cept his insistence on playing fouls has him getting mad at the table.

‘You rigged this godforsaken thing,’ he goes after I sink three in a row. His fingers fondle the table, looking for traps or magnets. His eyes are red now and the beer’s made him knackered.

‘I won, man, fair and square.’

‘Correction: losing due to another man’s foul isn’t the same as winning.’

Pop demands to swap cues. I give him the shitty cue and take his heavy maple stick. While he’s distracted by the boxing on the TV screen, I nail all my final balls, scull my beer and sink the black, a perfect shot with the white ball slowing down just on the lip of the hole.

Pop glares. ‘This cue is rigged.’ He yanks the stick out of my hand and shoves my old wobbly cue back in my arms.

‘So you wanna play on? Cause if you do, it’d have to be best of five, y’know, with the maths and whatnot.’

Pop is too red-faced to even listen, fuming and wincing like his chest is full of needles. He says some crap about the table being tilted, and if not that then the cue ball is weighted. He swaps the white with a ball from another table, racks up the colours, orders me to break them while he watches through a microscope.

Cause I’ve gotten back Mr Reliable Dodgy Cue, I’m feeling warm and I’m winning and I’m loving the boxing on the TV.

Pop agonises over this one shot. The cue is supposed to knock the orange into the yellow to bump the purple into a side pocket. It’s beautiful, with both the yellow and the purple going in, and Pop takes the game leaving me with four balls still on the table.

Problem is, I take the next game. In total I’ve won three against his two.

‘Awesome playing with ya.’ I check the time on his watch. ‘I’m late for a piss test. Gotta buy wee-wee off this dude. Laters.’

Pop is glaring at something out the window in the carpark. He’s choking his cue.

I’ve taken four big steps when I hear him beg.

‘Best of seven, then.’


Pop completely owns the sixth game, playing aggro, road-ragey, muttering to himself, telling me to stay clear, breathing so heavy over the table I see a couple drops of drool leak out, like his body’s warmed up, face flushed pink, but it’s like his skin’s starting to hurt and he takes his coat off and hangs it up.

By the time I’m racking up the balls for the seventh game, I’ve lost count of how many beers I’ve had. I’m more concerned about the effect on Pop, cause there’s dried white foam around his lips and he clutches the leaner posts like he’s on a ferry, swaying.

Whatever, pop. I’m not playing that well since I had a quick toot on my pipe in the handicapped toilet. He’s owning Game 7 for a while, fair and square, til he completely fumbles an easy shot on the eight cause he’s not pinching his cue properly. I take advantage, sinking four outstanding balls. Confident, precise shots. I’m relaxed from my smoke. Meanwhile the old man inspects his numb fingers like he’s had a bee sting.

I’m about to take Game 7 and I strike a massive shot from the far opposite corner. It whams the ball into the hole but the white hops up onto the edge of the table, does a little dance and rolls off.

Pop picks it up, shaking his head like I’ve just dropped a Fabergé egg.

‘A loss is a loss, I’m afraid. And a win is a win.’

‘Hang on one tick: you explicitly said that stuffing up a shot when you’re ahead isn’t the same as the other person beating you.’

‘I said no such thing.’


‘Heavens to Murgatroyd, your brother and sister don’t yell like this.’

‘TIMMO AND JASMINE RECKON THEY’RE TOO COOL TO HANG OUT WITH THEIR DAD, DUMBARSE. Know who’s got nothing better to do than be your buddy? ME.’ The hunters take their eyes off the trots and watch us, grinning. ‘THE HELL YOU LOOKIN AT?’ I bark at the fatbellies. ‘WANT A TUB OF POPCORN WHILE YOU WATCH?’

I slam a twenty on the bar, buy our sixth beers and we repeat the cycle.  

We’ve finished Game 7 and Pop’s got four wins against my three. If he takes the next one, he’ll have five wins out of eight. Victory to him.

I need to double down.

The old man’s trying to rack the balls one-handed, bitching about his arm being numb and tingly. I give him some of his own medicine, bumping him aside, racking the balls perfectly, snatching my cue, doing a break so crisp that it sends two balls of each colour into pockets. Bugger me. I’ve never seen four balls go down off a break.

‘There ya go,’ I tell Pop, pushing his cue into his cold clammy palms, ‘Set you up to win.’

Except Pop doesn’t win. It’s that gammy hand of his, he’s carrying his left arm in an invisible sling. I beat him by a margin of three balls. Pop pretends he hasn’t even noticed, hunched over his cellphone. ‘Ere – he’s done it again, he has! That brother of yours: shortlisted for the London Business Awards. I get Google News on the old telling-bone, I do.’

I ignore him and we concentrate on our game for ten silent minutes.

I lead by one ball; Pop follows but never catches up.

The eighth game is mine.  

I have to blink a couple times til I believe it.

‘That’s four each. Still wanna play the final?’

‘I do.’

‘Like a literal, no-goin-back all-time decider?

‘I believe I’ve responded.’

‘Pop, I’m serious, man. If I win this, you gotta shut up about how one dude losing isn’t the same as the other winning, alright, cause I know you’re tryina say that’s me, like I’m the loser out of the three kids and WHOA WHOA, UB UB UB UB UB, shutcha mouth, before you try say it’s just that Timmo and Jasmine are winners: I know what you’re sayin. Okay? So just… .’

Pop is racking the balls, but real slow. He seems worn out.   

There’s fifteen balls that go in a pool triangle. To rack em truly perfect, Pop puts the One at the very top, then the Two beside the Three. He sets them up so the stripes and solids alternate, with the black eight ball in the heart of the triangle. He tries to put it in position and almost can’t, what with his left arm failing on him.  

The bar lady dings a little bell, calls last orders. The entire pool hall is black now apart from a circle of yolk-coloured light around our table.

This is it. Final game. The decider. Ninth of nine.

Pop is on smalls, solids, lows. Whatever you want to call them, they’re going down well, considering his fingers are sweaty and Pop is dizzy and he’s resting his top half on the table.

The camouflage hunters have given up pretending to watch the horses. Now they’re concentrating on our game. Light in the blackness. One of them winks at me. His mate winks at Pop.  

Pop begins the end. He puts down numbers 5 and 7 pretty quick, then it takes him ages to sink another. I’m being a bit wankery, nudging some of mine in front of his, tactical manoeuvres to stress him out. I’m sinking as I do, though, and most of my seven are down pretty quick, leaving me dealing with a table that’s like a minefield. If I don’t wanna get penalised for fouls, I need to get around the enemy balls without scraping them.

The camos get tired and waddle out of the bar and get into their trucks. Bon Jovi is singing one minute, next it’s silence.

The pool hall is by now empty. A caretaker is hunched over a vacuum cleaner, scraping the carpet. What time is it – closing time? Jesus.

With one ball to sink and five in my way, I’m forced to do a jump shot. The old man clutches his face like he’s just seen me step on wet cement. He’s pretending to puke and threatening to call the barmaid when my ball rolls to the edge of the hole, slows to a standstill, then plops silently into its slot. Pops gets down on his knees and crawls under the table, one hand holding his hairpiece.

‘Pops, man. What the… ?’

I hear a thin, strained voice. ‘You think you’ve…. Think you’ve… fooled… fooled me.’ His voice has had all the bass taken out of it and he breathes hard on either side of it.

I get down on the ground with him, crawl under the table, embarrassed as hell. There are old stiff French fries down here, a paper napkin, a historic drinking straw… and my old man. He’s rolled onto his back. Clutching his chest like a curled-up cockroach.

‘Pops, man, first you tell me I’m the leastest favourite, then you call me a cheater. I’ve had a gutsful. I’m walking.’

I crawl out. Brush the cob webs off my knees. Grab my jacket and my smokes.

Pops isn’t calling after me.

Okay, old man. Act silent, then.

I step over big chunks of the carpet. I’m almost out the door, I’m squeezing the pipe in my pocket, I’m getting near to the parking lot, there’s a bus station beyond, except it feels like I’m stepping through quicksand, time’s slowing down and my legs turn around before my brain does.

It’s pretty obvious the old man’s having a heart attack back there, and he’ll need me to hold his hand in the back of the ambo, cause I’m the only sucker that’ll stick around to see who’s the best of three.

Check out Audible narrator Ian A. Miller of Northland, who has recorded over 100 audiobooks

Ever wondered what it’s like to be a professional narrator on the world’s largest audiobooks platform? Ask Northland writer and performer Ian A. Miller.

The Northland resident has narrated over 100 audiobooks from a range of countries. Click on the samples – you’ve gotta love that voice.

Here is an impressive list of his work:

Want to get hold of Ian or listen to samples of his work? Click through.

  • Professional narrator.
  • Ex radio newsreader, freelance voice over
  • Film, tv and online narrations
  • Skilled in script interpretation
  • Mid Atlantic English delivery
  • Specializing in Audiobooks, corporate video and strategic commercial media.

Poet Michael Botur – poetry shows and workshops in Tauranga January 2021

Tauranga / Western Bay of Plenty 2021 shows – thanks to Creative Bay of Plenty and TECT for sponsoring these

Thursday January 14 10am-12.30pm 2021

Youth Creative Writing Workshop

Award-winning indie author and poet Michael Botur will be delivering a down-to-earth workshop on fiction writing for Bay of Plenty youth, Thursday January 14 at The Artery @ The Incubator, Tauranga.
Thanks to Creative Bay of Plenty and TECT for sponsoring the event – Free entry for youth; koha (donation) for others.
The workshop looks at
– Why fiction writing is an art form that will change your life for the better
– How to capture inspiration on the page
– How to know you’ve got good or bad writing in front of you
– What to do next with your writing – publish digitally, on paper or even audio and video
Whangarei-based Botur is author of several acclaimed short story collections and young adult novel ‘Moneyland’ which has gained a cult following on the world’s largest publishing platform for teenagers, Wattpad – a site which has 65 million unique visitors per month. Botur will teach how to put writing straight in the hands of the audience.
The workshop will include an introduction to online publishing platforms, Smashwords, Createspace, Wattpad, Bookfunnel and Goodreads.
Registration is essential – please RSVP to
Read all about it at

Thursday January 14 7pm-9pm 2021

Loudmouth page and pub poems – performance show

The Jam Factory, The Incubator, Tauranga

Michael Botur brings his powerful off-the-page poetry to Tauranga, supporting and inspiring local poets.
This is for a public audience and all the Read Between the Wines regulars.
Koha entry – suggested donation $10.
– guest performance by Michael Botur 7pm-8pm.
– local guest poet Jay Fitton
– open mic afterwards. Bring your amazing poetry.

Sunday January 17 2021Taking your writing off the page – Exploring off-the-page ways to spread your writing.   Author Michael Botur delivers a guest workshop supporting Tauranga Writers.
Koha / donation entry, thanks to Creative BOP and TECT. Botur will introduce you to:
– Ten great ways to communicate your words with an audience
– Digital opportunities
– How performing your words makes a difference
– Literary trends in 2021
– Is it goodbye to paper?
– What it takes to submit your work to Audible
Whangarei-based Botur is author of several acclaimed short story collections and young adult novel ‘Moneyland’ which has gained a cult following on the world’s largest publishing platform for teenagers, Wattpad – a site which has 65 million unique visitors per month. Botur will teach how to put writing straight in the hands of the audience.
The workshop will include an introduction to online publishing platforms, Smashwords, Createspace, Wattpad, Bookfunnel and Goodreads.
Registration is essential – please RSVP to
Read all about it at

Check out the NorthTec creative writing blog – Online Writing students

This blog showcases the work of NorthTec creative writing students undertaking the Online Writing paper in 2020

The Online Writing paper is part of the Level 6 NorthTec Creative Writing Diploma.

In 2019 semester 1, students brainstormed a theme for their class blog and settled on Relationships. They decided relationships could take any form: between lovers, friends or families, or with pets or the environment. They also decided their posts could be fiction or non-fiction. All decided to write about human relationships and most are fiction.

In 2019 semester 2 , students worked with NorthTec’s Environmental Management team to write posts pertaining to environmental issues in Whangarei. Since rat-trapping is a hot topic at the moment, both posts are related to that.